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     Analyze the elements of American Realism. What events contributed to the rise of the Realist movement and how did it take shape in art. Choose at least 3 Realist artists and discuss the political and social circumstances surrounding the creation of their works and how your examples (in terms of visual elements as well as content) illustrate the characteristics of Realism.    




Subject Literature Pages 5 Style APA


American Realism

American Realism movement is an art style, music and literature that represented the true contemporary social realities such as emotions, individualism, imaginations and the lives of everyday activities of ordinary people. The cause for the movement was to react against the rejection of Romanticism with links to emotions and individualism. The movements’ literature in the mid-19th century formed an important part of visual art in the early 20th century. Whether a culturally portrayed or a scenic view of American cities, the movements’ objectives attempted to define what was real and existing in the American working class. In brief, the American realism movement was concerned with how life was structured to various norms ranging from societal structures, economic structures,  political and cultural structures during the mid-19th century. During the era of post-world War II, America’s working-class people became disillusioned with society and the dream of America because of the hardships they faced from depression. Art plays written and produced during the Americas dramatic realism movement reflect an advocate and desire for a social variance from the presence. The Glass Menagerie and art by Tennessee William and the Death of a Salesman by Arthur Miller take their effect, bearing no exceptions. William and Miller effectively scrutinised the impacts of the American Dream through Realism elementary theories to analyze political, class and gender norms.

Williams and Miller use common social examples in advocating for social differences hence providing the main focal point to the audience, which attracts the political interest of the realism following the devotion of commitment to work as well self-actualization of capitalist in the play. In the authenticity, the Death of a Salesman, Willie Loman serves as a representative of power with high interest for business and the urge for riches. At the endpoint of the art play, Willie accepts his lack of success and personality traits despite spending a long time in sales before committing suicide. Willie’s actions exemplify how people earn wealth if they spend more efforts fighting for it. Capitalists will have no chances of survival and will not work. Similarly,  in The Glass Menagerie, when Tom runs away from his family to pursue his interests, he fully embraces capitalism and the materialism of the American Dream. At the final stage of the art play, Tom remains the same way he was and did not wholly earn any wealth. He disappears from his home to have the leisure of his interest and later describes the old cities as dead. These are some of the hidden rejections that realism fights to alter society and adopt a new lifestyle.

Miller and William utilize mundanes’ applicable duty in the Death of a salesman and Glass Menagerie to ill-praise the employees using promotional ambush methods. In Death of a salesman, Linda’s interactions with Willy concerning the struggle to settle monthly bills portrayed the reality affecting most working class families during the Great Depression. Criticism by Miller on different expectations of material stocks such as capital appliances used by the society made the employed people dependent on capitalism, and these forced them to serve the interests of the bourgeois. The working population was turned into slaves of themselves to earn extra upper-class ranks that included warehouse tasks like the case of Happy. In addition to the tasks, they had an opportunity to procure higher standards, thus securing prominence. In Glass Menagerie, Tom provides for his family by securing a job at a shoe warehouse for a monthly payment of 65 dollars, which Amanda uses to procure goods, such as a lamp for the apartment. It has been stated that Tom prefers his identity and self-image highly to ownership of riches. However, Amanda exclaims that Tom would give up his family because of greed for valuables. Tom and Amanda’s are eager to possess large stocks of valuables, and Tom has to stay at the warehouse job instead of being a poet. Williams proposes that the emphasis on money valuables for employees encourages the suppression of creativity and individualism, leading to fights.

There is evidence of cultural home setting when the death of the salesman occurs with the two art plays by William and Miller tying ladies to the traditional family styles. In this case, when the salesman died, Linda, his wife, never imagined doing anything outside the homestead. She is seen doing the everyday household chores such as cleaning and cooking for her associates on the homestead. Her obedience and submissiveness to her husband despite knowing the demerits and delusions portrays the loyalty expectations and blind submissiveness of a typical ideal American housewife. With the awareness of the impacts, Linda’s deference to her husband broadly predicts that she could not meaningfully enact change to her family in its conditions. Linda’s inability to rescue her husband from death, Miller opens a criticism complaint of a dormant housewife in the American Dream.

In the Glass Menagerie, Amanda has confidence that she can obtain fulfilment by searching for a husband for Laura; this created a typical American family dynamic in replacing her broken marriage and family. Laura’s inability to prosper in the business training school and other vocational institutions explains the life challenges of breaking out of ancient housewife roles that women were expected to perform during those periods. Death of a Salesman and The Glass Menagerie reflected the social world of the 1940’s post World War II era in the reevaluation of the American Dream. Erupting deviant talks in the typical homes and fights that do not end in the places of work are some of the drivers for change in society.

Since critical movements and other alternative theoretical structures opposing societal and political perspectives question the existing status quo, make knowledge dependent on power, and emphasize identity formation and social change. They cannot be influential as realism in proposing a change in political and social points. The possible social and political gains of realism have to be associated with pain, death, oppression and unconducive life states in scenarios where the states rely on political powers in making crucial decisions. For example, the Death of Salesman  serves to affect some of these social costs related to realism. The experimental evolution of theories that depend on actual history and politics can ultimately judge their social standards and make prudent political decisions. Nevertheless, when realism turns to be dogmatic in nature, social and political norms fail to perform their functions. They remain standstill in a state-centric paradigm that denies people the possibility of economic progress and turns into ideology. The power of politics can be misused in justifying the aggression when realism depends on interstate relations.



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