Choose a contested (fought over) practice, object, or historical narrative drawn from the colonial histories of art and design (both current and/or historical examples are fine). Your examples can be drawn from either traditional art history (museums, repatriated art objects, cultural property/war) or related in some way to current events in fashion (for example, recent cases where big-name designers have utilized and/or appropriated cultural motifs/forms or techniques of making, from other cultures). Discuss your chosen example(s) and your thoughts/feelings, and/or perspectives on the debates/controversies surrounding these cases. It is best to choose one or two examples, but no more, given the length restriction of this Task (1 page, single-spaced).
Sample Solution
