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This is a topic for those interested in cinematic art. Write an essay on the construction of On the Waterfront, the choices made by its director regarding, for
example, cinematography (e.g., camera angles, cross-cutting, long-shots, close-ups, etc.), lighting, the blocking of scenes (who is where and why), the
disposition and use of props as visual symbols, the integration of Bernstein’s music, why and where the acting strikes you as particularly effective. You might
want to consider the distinguished and influential place of this film in American film history, or you might choose to focus on a few crucial scenes. I’d still like
this paper to include some account of the moral force of the film, without which it would not have had the influence it clearly has enjoyed; but the emphasis
here would be on how this force is generated by the filmmaker’s art.

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