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- QUESTION
The shakuhachi has a varied history as a solo meditation instrument, a member of the gagaku orchestra, a crucial part of sankyoku, and a participant in jazz and other Western genres. Listen to the guided listening example of Tori Kadotsuke Hachigaeshi (located on the preceeding content page titled “Shakuhachi and Taiko”) and answer the following questions:
How does its tone, or timbre, differ from the sound of a Western flute?
What qualities of the shakuhachi sound do you think make it desirable and flexible enough to participate in so many different genres?
What qualities of Japanese aesthetics, as outlined in the chapter, do you hear in the piece?
Subject | Music | Pages | 1 | Style | APA |
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Answer
Japanese Music
Within the directed listening case, the shakuhachi varies from the Western flute sound in several instances as this paper highlights. After paying attention to both pieces, the shakuhachi is realized to be unsteady and, therefore, it is easily sensitive to a pitch alteration even when there is the smallest alteration in breathing or moving of the hand to other holes. Additionally, Tori Kadotsuke flute resonances are hollow, more deeply and also raw the minute it is played. Moreover, the notes are prolonged and at times are changed into elevated notes. Most of the notes that are being played resonance as if they are half notes, with some limited quarter notes and eighth notes.
Some of the abilities that this music implement has are that it is softer compared to the Western flute, thus giving it the ability to be part of the peaceful genre as well. Alternatively, it also has such a large variation in pitch that also makes it extra easy to join in many other different genres. In addition, the flute can be alienated into three octaves as well as plays a pentatonic scale. This gives room for the performer to begin with slight or minor toned notes and changeover to main notes.
In my view, the most leading distinctive feature is the serenity of the piece that has the ability to intimate the appealing principle of yūgen. An additional of Japanese aesthetic is displayed through the breaks that are taken between every breath of the melody. This can be linked to hollowness or rather an emptiness, identified as “MA” which is the Japanese aesthetic.
References
Appendix
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