QUESTION
The Paris Opera in Mozart’s The Magic Flute
GUIDELINES FOR WRITTEN PAPERS IN HUMANITIES
PROFESSOR DELMA ILES
1) Topic – The paper must fulfill the assignment by directly addressing the topic assigned.
2) Length – The paper must meet the specific assignment for length. Paper 250-300 words in length. Points will be deducted proportionately for papers that are shorter than the length assigned (there is a 15 word leeway). Microsoft Word provides a word count in the lower left hand corner of the screen. Papers that are longer than the length assigned may be returned to the student for reduction.
3) Heading – The heading at the top of the page should contain:
Title of Paper
Name of student
Name of Course
Name of the performance, exhibition, or event and name of the company, ensemble, architect, composer, or artist(s)
Date the assignment is handed in
4) Typeset & Font – All papers must be typed. Fonts must be 12 points, no larger or smaller. Fonts may vary, but must be clearly legible. (No Gothic, etc.)
5) Spacing – Papers may be single or double spaced.
6) Margins – One inch margins (top, bottom, left & right) are required.
CONTENT
Identify the location of the performance or event. Is it a theater? Museum? Gallery? Church? Community Center? Park or garden? Etc. If the location is important in the experience of the event, explain why.
Describe in detail what you saw or heard.
If a costume is important, describe the costume. If a musical instrument is important, describe the instrument. If a particular design or style is important, describe the design. If you are not familiar with the design or style, research it. If a person’s voice is important, describe the sound of that voice (or group of voices).
Some elements that might be important: Visuals such as colors, textures, geometric shapes, directions of travel (where movement is concerned), levels (high, low, medium), scale (very large to very small), physical relationships between/among people or groups of people, physical relationships between/among objects. Is the work emotional, intellectual, spiritual, political, religious, cultural, etc?
In the case of a visual arts or sculpture exhibit, identify the medium: photography (digital or film), oil paint, tempera, watercolor, pen and ink, woodcut, lithograph, mosaic, etc. Was there a theme? If so explain the theme. Describe the colors, textures, scale of the works, important shapes or designs. Identify the primary artistic intent of the work.
In the case of a music performance, identify the style: jazz, blues, classical, Renaissance, folk, flamenco, raga, cultural, etc. Also identify the form: song, opera, symphony, sonata, improvisation, etc. Identify the volume of the music: loud, soft, medium, etc. Identify the number of musicians or singers. Why is this the appropriate number of performers for the type of music you heard? Identify the musical instruments used. What did the music sound like? Rhythmic? Harsh? Delicate? Soulful? Romantic? Sad? Lonely? Exciting? Or combinations of these and other elements?
In the case of an opera performance, use the instructions for both music and theater, or music and dance, if applicable.
In the case of a dance performance, identify the music (if any), the number of dancers and the style of dance: ballet, jazz, tap, modern dance, flamenco, folkloric, cultural (and the culture it comes from), ballroom, etc. Describe the costumes, music, and any scenery or props. Describe any patterns or formations the dancers are making: straight lines, circles, wedge shapes, starburst, couples, trios, etc. Describe the movements the dancers are executing: turning sliding, leaping, stretching, kicking skipping reaching, etc. Explain the primary artistic intent of the dance: story, mood or emotion, abstract, etc.
In the case of architecture, identify the function of the building: theater, courthouse, home, apartment, office building, school, cathedral, mosque, technically specific for a particular function (such as an airport), etc. Identify the materials it is made of: concrete block, marble, wood, glass, mud, steel, brick, combinations of any of the previous plus other materials as appropriate. Identify the style of the building: classical, baroque, modernist, primitive, Islamic? Is the building well designed for its intended use? What makes this so or not so? In the case of an architectural exhibition, describe the theme or idea for the show. How was this communicated? Photos, models, descriptions, examples of materials, etc.
In the case of a theater performance, summarize the plot (1-2 paragraphs). Describe the costumes, scenery, and props and any background music or sound. Explain the role(s) of the main characters. Describe their personalities and what their relationships are like: loving, angry, confused, domineering, shy, control issues, etc. Explain the theme of the play. What is the primary dramatic conflict? How is it resolved? Or does it go unresolved? DO NOT SIMPLY RE-TELL THE PLOT!
General:
Give your evaluation of the skill level of the artist(s) or architect. Give your opinion of the event you attended. Was it artistically successful? If so, why? If you feel that it was not successful, explain what was missing.
Write your paper so that a person who did not attend the event could read it and have a good picture in his/her mind of what the event was like! Do not include photos with your paper. The written content of the paper must explain everything. You may not use photos to substitute for quality written content.
RESTRICTIONS
Since live performances are not currently possible due to the coronavirus pandemic, you have been provided with a list (with links) of online performances that you may view in order to write your papers. You must use this list. If you want to write about something that is not on the list, you must get permission IN ADVANCE from the instructor. All performances must be professional performances. This means that the performers are paid and their art form is their principal source of employment.
Film: you must view and write about a classic film.
WRITING SKILLS
The three papers assigned in this course are all assigned as formal papers, requiring formal writing. They will not be accepted in note form or any format other than formal writing.
All papers must be written in correct English!
When writing about a real person or a fictional character, initially refer to the person by both his/her first and last name. Thereafter, use the last name only (not the first name) unless you know him/her personally. Children may be referred to by their first names. In the case of two people with the same last name (such as brothers), use both first and last name throughout the paper.
One point per mistake will be deducted for the following:
Write a formal paper in first person, or third person, but not second person.
Spelling – every instance! USE SPELL CHECK! Beware of homonyms (words that sound alike, but are spelled differently) and make sure you are using the correct one!
Subject/verb agreement
Proper use of singular & plural
Proper use of tense of verbs
Correct sentence structure
Capitalization of all proper nouns – Remember that the rules for this are different in English from those in Spanish and many other languages.
THE NAMES OF ALL DANCES, MUSICAL COMPOSITIONS, FILMS, BOOKS, PLAYS, OPERAS, POEMS, PERIODICALS, ARE CAPITALIZED AND ARE PLACED IN ITALICS OR QUOTATION MARKS!
Use of commas, colons, semicolons and quotation marks.
Compound sentences, prepositional phrases and subordinate clauses.
Numbers – write out numbers in a formal paper with the exception of dates, amounts of money that require more than two words, and mathematical calculations. Numbers greater than 1,000 can be written numerically. Numbers that appear at the beginning of a sentence must always be spelled out.
Quotations. Always place someone else’s actual words in quotation marks and identify the source.
PLAGARISM
Please refer to the MDC Student Handbook for college-wide policies on plagiarism. Plagiarism is considered an academic felony! Plagiarism in a written paper (even one sentence) will result in a minimum penalty of a grade of 0 for the paper and a maximum penalty of expulsion from Miami Dade College, depending on the gravity of the offense.
Tips:
Remember that written English is different from other languages. Do not attempt a direct translation from another language.
If you are writing a paper about a performance and use material printed in the program book or exhibit publication, you must place the material in quotation marks and cite the source.
Read your paper out loud, preferably to another person who is an experienced writer, and listen to hear if it makes sense, if it sounds natural and logical.
Don’t wait until the last minute to write your paper – you are very likely to make mistakes and not catch them.
HELP IS AVAILABLE!
There is a writing lab in the computer courtyard; you are encouraged to use it as a resource to assist you in developing strong written compositions. The Writing Lab brochure that explains how to make appointments is included in the Course Resources folder.
Resource: The Elements of Grammar by Margaret Shertzer. This is a small, inexpensive book that provides easy guidelines to grammar and the rules of writing.
*If you do not understand the instructions in this guideline, please see the instructor. You may need to take a course in basic writing before attempting this course!
watch the following video : The Paris Opera in Mozart’s The Magic Flute
https://www.youtube.com/watch?v=x9nyPrJy5ek
Subject | Literature | Pages | 7 | Style | APA |
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Answer
Theatre Company: Royal Danish Ballet
Title of Piece: Giselle
Principal performers: Giselle, A peasant girl; Albrecht, Duke of Silesia; Hilarion, a gamekeeper; Berthe, Giselle’s mother Bathilde; a princess Myrtha, Queen of the Wilis
Setting: Rhineland, Middle Ages
Director: Toa Fraser
Giselle is a dance performance, specifically the ballet. It is a classical performance that opens with the type of rural dressing that portends the realities of peasant life to which Giselle, the major character, belongs. Count Albrecht, having been enchanted by the beauty of the young woman, takes into the peasant mannerisms and dressings. The dressings dramatically change when the Duke of Courland arrives in the company of his daughter who is engaged to Albrecht and an entourage that has high born royalty. Throughout the performance, the dance patterns shift considerably. Sometimes, there are linear formations, couples to dance the ballet through and circular groups.
In Giselle, the general feel of the environment gives the storyline the basic emotions that it requires to survive. In Act 1, the scenes in the background expose high trees and the warmth of people watching as the romantic story unfolds. It gives the story credence, and makes the participation of the various families instrumental both to the building of the narrative and its subsequent resolution. In the second Act, the image of the grave, the background of tall dark trees with leafless branches and the lighting gives this part a sombre mood and even fear.
In the first part, the dance is graceful most of the time, done with poise and grace. It is a pattern that builds up the romance within the first Act and sets the mood for the part. As an apparition, Giselle’s dance is much faster, with more restless hops and jumps and helps in building up the story to the sad resolution. The motions create tension and the executions of the dance reinforce the dread and fear.
This question has been answered
REFERENCES
Royal Danish Ballet 2016 (June 2018). Giselle, [YouTube], https://www.youtube.com/watch?v=eSx_kqe6ox0
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