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- QUESTION
At half-past twelve the train stopped at Burhampoor where Passepartout was able to purchase some Indian slippers, ornamented with false pearls, in which, with evident vanity, he proceeded to encase his feet. The travellers made a hasty breakfast and started off for Assurghur, after skirting for a little the banks of the small river Tapty, which empties into the Gulf of Cambray, near Surat.
Passepartout was now plunged into absorbing reverie. Up to his arrival at Bombay, he had entertained hopes that their journey would end there; but, now that they were plainly whirling across India at full speed, a sudden change had come over the spirit of his dreams. His old vagabond nature returned to him; the fantastic ideas of his youth once more took possession of him. He came to regard his master's project as intended in good earnest, believed in the reality of the bet, and therefore in the tour of the world and the necessity of making it without fail within the designated period. Already he began to worry about possible delays, and accidents which might happen on the way. He recognised himself as being personally interested in the wager, and trembled at the thought that he might have been the means of losing it by his unpardonable folly of the night before. Being much less cool-headed than Mr. Fogg, he was much more restless, counting and recounting the days passed over, uttering maledictions when the train stopped, and accusing it of sluggishness, and mentally blaming Mr. Fogg for not having bribed the engineer. The worthy fellow was ignorant that, while it was possible by such means to hasten the rate of a steamer, it could not be done on the railway.
The train entered the defiles of the Sutpour Mountains, which separate the Khandeish from Bundelcund, towards evening. The next day Sir Francis Cromarty asked Passepartout what time it was; to which, on consulting his watch, he replied that it was three in the morning. This famous timepiece, always regulated on the Greenwich meridian, which was now some seventy-seven degrees westward, was at least four hours slow. Sir Francis corrected Passepartout's time, whereupon the latter made the same remark that he had done to Fix; and upon the general insisting that the watch should be regulated in each new meridian, since he was constantly going eastward, that is in the face of the sun, and therefore the days were shorter by four minutes for each degree gone over, Passepartout obstinately refused to alter his watch, which he kept at London time. It was an innocent delusion which could harm no one.
The train stopped, at eight o'clock, in the midst of a glade some fifteen miles beyond Rothal, where there were several bungalows, and workmen's cabins. The conductor, passing along the carriages, shouted, "Passengers will get out here!"
Phileas Fogg looked at Sir Francis Cromarty for an explanation; but the general could not tell what meant a halt in the midst of this forest of dates and acacias.
Passepartout, not less surprised, rushed out and speedily returned, crying: "Monsieur, no more railway!"
"What do you mean?" asked Sir Francis.
"I mean to say that the train isn't going on."
The general at once stepped out, while Phileas Fogg calmly followed him, and they proceeded together to the conductor.
"Where are we?" asked Sir Francis.
"At the hamlet of Kholby."
"Do we stop here?"
"Certainly. The railway isn't finished."
"What! not finished?"
"No. There's still a matter of fifty miles to be laid from here to Allahabad, where the line begins again."
"But the papers announced the opening of the railway throughout."
"What would you have, officer? The papers were mistaken."
"Yet you sell tickets from Bombay to Calcutta," retorted Sir Francis, who was growing warm.
"No doubt," replied the conductor; "but the passengers know that they must provide means of transportation for themselves from Kholby to Allahabad."
Sir Francis was furious. Passepartout would willingly have knocked the conductor down, and did not dare to look at his master.
"Sir Francis," said Mr. Fogg quietly, "we will, if you please, look about for some means of conveyance to Allahabad."
"Mr. Fogg, this is a delay greatly to your disadvantage."
"No, Sir Francis; it was foreseen."
"What! You knew that the way—"
"Not at all; but I knew that some obstacle or other would sooner or later arise on my route. Nothing, therefore, is lost. I have two days, which I have already gained, to sacrifice. A steamer leaves Calcutta for Hong Kong at noon, on the 25th. This is the 22nd, and we shall reach Calcutta in time."
There was nothing to say to so confident a response.
It was but too true that the railway came to a termination at this point. The papers were like some watches, which have a way of getting too fast, and had been premature in their announcement of the completion of the line. The greater part of the travellers were aware of this interruption, and, leaving the train, they began to engage such vehicles as the village could provide: four-wheeled palkigharis, waggons drawn by zebus, carriages that looked like perambulating pagodas, palanquins, ponies, and what not.
Mr. Fogg and Sir Francis Cromarty, after searching the village from end to end, came back without having found anything.
"I shall go afoot," said Phileas Fogg.
Passepartout, who had now rejoined his master, made a wry grimace, as he thought of his magnificent, but too frail Indian shoes. Happily he too had been looking about him, and, after a moment's hesitation, said, "Monsieur, I think I have found a means of conveyance."
"What?"
"An elephant! An elephant that belongs to an Indian who lives but a hundred steps from here."
"Let's go and see the elephant," replied Mr. Fogg.
They soon reached a small hut, near which, enclosed within some high palings, was the animal in question. An Indian came out of the hut, and, at their request, conducted them within the enclosure. The elephant, which its owner had reared, not for a beast of burden, but for warlike purposes, was half domesticated. The Indian had begun already, by often irritating him, and feeding him every three months on sugar and butter, to impart to him a ferocity not in his nature, this method being often employed by those who train the Indian elephants for battle. Happily, however, for Mr. Fogg, the animal's instruction in this direction had not gone far, and the elephant still preserved his natural gentleness. Kiouni—this was the name of the beast—could doubtless travel rapidly for a long time, and, in default of any other means of conveyance, Mr. Fogg resolved to hire him. But elephants are far from cheap in India, where they are becoming scarce, the males, which alone are suitable for circus shows, are much sought, especially as but few of them are domesticated. When therefore Mr. Fogg proposed to the Indian to hire Kiouni, he refused point-blank. Mr. Fogg persisted, offering the excessive sum of ten pounds an hour for the loan of the beast to Allahabad. Refused. Twenty pounds? Refused also. Forty pounds? Still refused. Passepartout jumped at each advance; but the Indian declined to be tempted. Yet the offer was an alluring one, for, supposing it took the elephant fifteen hours to reach Allahabad, his owner would receive no less than six hundred pounds sterling.
Phileas Fogg, without getting in the least flurried, then proposed to purchase the animal outright, and at first offered a thousand pounds for him. The Indian, perhaps thinking he was going to make a great bargain, still refused.
Sir Francis Cromarty took Mr. Fogg aside, and begged him to reflect before he went any further; to which that gentleman replied that he was not in the habit of acting rashly, that a bet of twenty thousand pounds was at stake, that the elephant was absolutely necessary to him, and that he would secure him if he had to pay twenty times his value. Returning to the Indian, whose small, sharp eyes, glistening with avarice, betrayed that with him it was only a question of how great a price he could obtain. Mr. Fogg offered first twelve hundred, then fifteen hundred, eighteen hundred, two thousand pounds. Passepartout, usually so rubicund, was fairly white with suspense.
At two thousand pounds the Indian yielded.
"What a price, good heavens!" cried Passepartout, "for an elephant."
It only remained now to find a guide, which was comparatively easy. A young Parsee, with an intelligent face, offered his services, which Mr. Fogg accepted, promising so generous a reward as to materially stimulate his zeal. The elephant was led out and equipped. The Parsee, who was an accomplished elephant driver, covered his back with a sort of saddle-cloth, and attached to each of his flanks some curiously uncomfortable howdahs. Phileas Fogg paid the Indian with some banknotes which he extracted from the famous carpet-bag, a proceeding that seemed to deprive poor Passepartout of his vitals. Then he offered to carry Sir Francis to Allahabad, which the brigadier gratefully accepted, as one traveller the more would not be likely to fatigue the gigantic beast. Provisions were purchased at Kholby, and, while Sir Francis and Mr. Fogg took the howdahs on either side, Passepartout got astride the saddle-cloth between them. The Parsee perched himself on the elephant's neck, and at nine o'clock they set out from the village, the animal marching off through the dense forest of palms by the shortest cut.1. In Around the World in Eighty Days, Phileas Fogg makes an impulsive wager that he can travel around the world in eighty days or less. This excerpt from the story is told from the third-person point of view, focusing on the perspective of Passepartout, Fogg’s loyal servant. How does focusing on Passepartout’s point of view affect the story? Use evidence from the text to support your response. Your response should be one or two complete paragraphs.
2. The story told in Around the World in Eighty Days is set the year 1873. It is about a man who makes a bet that he can travel around the world in eighty days. How does the historical time period influence the events in the passage? Use evidence from the text to support your response. Your response should be at two complete paragraphs.
| Subject | Literature | Pages | 3 | Style | APA |
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Answer
Around the World in Eighty Days
The concept of going around the world and back to where one started – circumnavigation – is one far too complex a notion that even the people of today have not yet fully grasped. Yet this was the bet that Mr. Fogg had placed, claiming he could go around the world in eighty days. Their adventure – Mr. Fogg and his loyal servant, Passepartout – was an exciting one as they sought to beat deadlines and time zones differentials. However, Jules Verne tells the story from Passepartout’s perspective, which in turn, affect the story. Even more so, the tale is set in the year 1873, which also influence the events of the storyline. This paper analyzes how these two concepts of storytelling affect the story and the events in the story.
The point of view through which a story is told is very important as it helps the reader understand the character’s feelings and actions better. Therefore, telling a story from one’s characters point of view affect how the reader perceives the events of the story as well as how the characters are portrayed. This story is told from Passepartout’s point of view, thus enabling the reader to explore the story through the eyes of Passepartout. For instance, as the writer narrates the story, he explicates how Passepartout felt so far within their journey, making him the major point of view within the story. Despite their being other major protagonists, the reader is lured to focus more on Passepartout, who is only but a loyal servant. Even more so, the feelings and anticipations of the other characters are unveiled from his perspective, which might have been different when told from another person’s perspective. Nonetheless, focusing on Passepartout makes him the main protagonist who help see through his master’s bet.
Secondly, it important to note that the story is told in year 1873, which tremendously influences the story. During this time, modes of transport were majorly premature and unreliable, especially in areas far from England. In this excerpt, the train from Bombay was supposed to ferry them to Calcutta, an express journey. However, as many other passengers had known, they had to stop beyond Rothal and drive themselves to another pick up station. If the tory had been told in a later time, this would definitely not have been part of their experience.
The time period also made the idea of traveling around the world sound like an impossibility, bringing for the bet. If the story were told in a later date, it would have been easy for Mr. Fogg and his companions to take a flight to wherever he was to go. Even more so, they look for a means of transport throughout the village only to end up with none. Therefore, they end up buying an elephant and hiring a rider to drive it. It was only during this period in time that Indians could engage themselves in taming and riding elephants for commercial purposes. What is more, there was no other reliable mode of transport save for such improvising.
In conclusion, it is evident that a story is affected by various aspects of storytelling such as perspective and time setting. In this excerpt, Passepartout’s point of view affect how the reader perceives the story while the time period in which the story is set affects the rigors of their journey. The means of transport is immature and somehow unreliable, making the story exciting and adventurous.
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