compare the Hollywood film production and Chinese film

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Question

Paper Details 

Topic: compare the Hollywood film production and Chinese film

1pages, single space.

No grammar or awkward sentence.

suggestion: Pick up 2 examples to compare.

 

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Subject Literature Pages 3 Style APA
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Answer

Film Analysis

Film is an expression of cultural practices through art to vividly and incisively reflect differences that exists among various cultures. Film production presents us with stories which are heart-warming and impressive in a way that one can still recognize a difference between their productions (Li, 2015). The notable variations between the Chinese films and Hollywood films are mere outcomes of the film production. As such, this essay explore film analysis by comparing Hollywood film production and Chinese film. 

Although Hollywood has been in existent for close to a century, Chinese films have recently emerged and has continued to attract more and more people across the globe. The differences in these film production are explicit as is demonstrated in the two movies namely, interstellar and Crouching Tiger for Hollywood and Chinese film respectively. Interstellar is a science fiction movies produced in 2014 and directed by Christopher Nolan. The movie features a group of rocketeers who use wormhole while travelling to look for new places to reside. It presents an exciting, provocative and visually stunning film production which viewers have come to expect from Christopher Nolan as the writer and director of Hollywood films. On the other hand, Crouching Tiger is a Chinese film presenting Jiawu naval battle, the emperor intimidated by queen mother and the Qing Empire characterized by revolting population among other details.

From this two movies, the comparison between Hollywood and Chinese film production is elucidated. To begin with, Hollywood is depicted to make use of photography and computer tricks while Chinese films majors so much in emphasizing the actual action of the players. This demonstrate the level of creativity that couples the Hollywood production as compared to Chinese films. It is actually difficult to predict the outcome of a single seen in the Hollywood film. However, watching Crouching Tiger, one can easily tell the end of the movie from its start (Coleman, Miyao & Schaefer, 2016). Therefore, it is logical to determine that Hollywood production incorporates creativity. This quality is clearly lacking in the Chinese film production. Moreover, from the two movies it is easy to tell that Chinese movies are mostly history based hence, explaining the lack of creativity.

Additionally, while the dialogue in Hollywood film is usually casual and upfront, the Chinese films tend to display solemn and implicit atmosphere. This difference in film production depicts the kind of freedom that exist in Hollywood as compared to Chinese film. For instance, young actors are portrayed to be very reserved while talking to the elderly in the Chinese film. This is not the case in the Hollywood films. Here, everyone talks casually and in a straightforward manner to anybody regardless of the age differences (Coleman, Miyao & Schaefer, 2016). Other difference include focus on individual heroism in Hollywood while Chinese movies focus of the strength and benefit of a group, community or the country. 

In conclusion, it is true that there exist comparable difference between the Hollywood and Chinese film production. In this analysis, two moves Crouching Tiger and interstellar were chosen to aid the comparison between Hollywood film and Chinese film production. Some of the notable difference discussed include, creativity, film atmosphere, dialogue and the predictability of the end of a movie from its beginning. What is more, Hollywood film production appears to be better than Chinese movie production considering facts and findings of the analysis.

 

 

 

References

Li, Jinhua. 2015. "Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood." Film & History no. 1: 100. Literature Resource Center, EBSCOhost (accessed July 19, 2017).

Coleman, L., Miyao, D., & Schaefer, R. (2016). Transnational Cinematography Studies. Lanham: Lexington Books

 

 

 

 

 

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