Goya: The First Modernist

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      1. QUESTION

      Your paper should meet the following basic criteria:

      1. Your research paper should be approximately 1000-1200 words not including the bibliography or works cited. 

      2. The essay should use at least five (5) legitimate source in addition to your course manual or 
your textbook. You are to demonstrate that you actually researched the topic. 

      3. You CAN use scholarly articles written and available on line. 

      4. You CAN include interviews with gallery directors and artists where appropriate 

      5. You can NOT use general encyclopaedias such as Wikipedia, Britannica, Encarta, etc or online art dictionaries. 

      6. Include no more than three (3) low resolution, compressed images in your paper. These two images should be the most significant objects and/or buildings related to your chosen topic. 

      7. You must use a standard letter size page in portrait view (21.59cm x 27.94/ 8” x 11”) 

      8. You must use either 1.5 or double spacing 

      9. You must use Times New Roman font size 12 font. 

      10. You must use 3cm margins on all edges. 

      11. You may indicate a paragraph change by either a line space or by indenting, BUT you must be consistent. 

      12. Your paper is to be free of spelling and grammatical errors. You may use either English or American spelling, again you must be consistent. 

      13. Cite dates as follows: 1832-1836; 15 July 1836; the fifteenth-century; c. 1500; fifteenth-century houses. 


      Here is a brief synopsis of the basic requirements of the assignments for this course. However,

      please refer to each assignment for complete details. For the research essay you will be offered the

      choice of completing an essay topic based on subjects within your text, or an alternative assignment

      that examines current issues relevant to the art under discussion. The alternative essay will require

      access to the Internet and use of the University of Manitoba library or another library with recent

      journal holdings. Consult the Student Handbook on how to contact the university Off-Campus Library

      Services to borrow books or journal articles.

      6

      Two online quizzes valued at 10% each.

      Formal research paper assignment valued at 40%

       

      1. Place quotations within double inverted commas; quotations within quotations in single inverted commas. Quotations more than 6 lines long should start on the next line and use a single- spaced block quote format. 

      2. Italicize the titles of books, journals, works of art, buildings, and theses do not underline them. 

      3. You may use any standard referencing style (APA, MLA, etc) for citing the information sources such as books, articles, or theses. Choose one referencing style and use it consistently. 

      4. Credit the research of other writers as a matter of honesty and academic integrity. Failure to do so constitutes plagiarism. 

      5. You paper is to be typed and submitted in either PDF, .doc or .docx formats. THESE ARE THE ONLY FILE FORMATS THAT WILL BE ACCEPTED. 


      Reminder: Absolutely NO late assignments will be accepted. You should begin working on your paper immediately after beginning this course and revise it until the time of submission. I also suggest that you have several people periodically proof read your work.

      Tips for writing a research paper

      This is a research paper. It requires that you seek out the scholarship of others. Most of the topics that you can choose from allow some latitude in the individual student’s approach to the topic. However, your paper must be organized in a manner that your reader clearly understands what you are saying.

      The introductory paragraph provides the concept that is the subject of your paper. It should include a thesis statement that presents the argument of your paper and specifies how you will prove this argument. For example, if you want to argue that tiles covered the entire surface of the al-Aqsa Mosque in 1912 but they were blown up by the British, how will your prove this? You need to tell your reader this information.

      The body of your paper, or the paragraphs between the introduction and the conclusion, contain the evidence to support your thesis statement. Your paper should be directed towards an intelligent reader. Each paragraph should be a coherent unit with a topic idea, each sentence should relate to the one it precedes and follows. The introductory sentence of each paragraph should state the main theme of the paragraph, the concluding sentence may summarize it. As you edit your paper check each paragraph to make sure that you have not included material in one paragraph that would be more appropriate in another. Also make sure that you are not including irrelevant information. The body of your paper should flow in a coherent manner while convincing your reader of the validity of your argument.

      The conclusion is the conclusion. It is not the time to introduce new material or ideas. Rather, briefly summarize your principal arguments, referring back to your thesis statement, and explain how your analysis extended the readers understanding of the problem or topic.

      Grading criteria

      Your essay will be marked on the following:
Followed Directions (found under the header Directions): 5 marks Spelling and Grammar: 10 marks
Content and Argument: 30 marks
Resources and proper citations: 10 marks
Total: 55 marks

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Subject Essay Writing Pages 8 Style APA
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Answer

Goya: The First Modernist

Francisco Goya is globally renowned as one of the greatest artists in the history of art. Goya artworks had a peculiar way in which they displayed the society. Goya’s works of art were based on the different ways in which he viewed the society and reflective of the different stages of life that he was in (Muller, 2016, p. 221). However, in the 19th century, Goya became the pioneer of a variety of new artistic designs and tendencies. The works left by Goya extent for over 60 years in which he has not only been acclaimed but also criticized in equal measure (Fullerton, 2009). Goya’s artworks including the paintings, engravings, and drawings were the first ones to demonstrate contemporary/modern historical upheavals and have influenced a majority of painters even in the modern society. This paper seeks to prove this argument by providing Goya’s artworks and how they demonstrate that he was the first modernist.

            Born on March 30, 1749, in Fuendetodos, in the Zaragoza area of Spain, Francisco Jose de Goya y Lucientes was at the age of 14 apprenticed by Jose Martin Luzan, a locally renowned artist (Muller, 2016, p.111). He began to study painting at a very tender age before moving to Madrid, the capital of Spain, to get to study with Anton Raphael; then was a Spanish royalty painter. However, he subsequently moved to Rome whereby he further studied classical art (Shaw, 2003, p. 501). In 1779, he was admitted to the Spanish crown as the court painter where he established a reputation for being a portrait artist, especially in the royal circles. Unfortunately, in 1792, he became deaf and started working on non-commissioned paintings. He is best known for his ability to use art in the recording of moments of Spanish history. For instance, according to Muller (2016, p. 112), in 1814, he painted the true human cost of the war in the uprising between Madrid forces and the French forces. Unlike other artists at the time who used the traditional mechanisms of art production for aesthetic value, Goya’s artistic work illustrated the absurdity of contemporary times and thus make him the father of modern art.

Goya was the first modernist because of the manner that his artworks expressed his feelings and thoughts which later paved way for future art movements. Goya was affected by the various political activities which surrounded him at the time. As the war between Madrid forces and French went on, he became concerned about the atrocities which happened and thus his view about the human condition started to deteriorate (Muller, 2016, p.123). As such, instead of focusing on the aesthetic value of the arts that he made, he was more influenced by contemporary events. Most of his paintings and artworks were a demonstration of his views and illustrated the events which were happening in society. For instance, according to Shaw (2003, p. 481), the Disasters of War paintings which consist of 82 artworks (plates) serve to demonstrate the violence at the beginning of the 19th century (see Figure 1 below for one of the plates in Disasters of War prints). The paintings depict the guerrilla warfare, the famine, as well as the political disillusionment which had taken place after the invasion of Spain by the Napoleon Bonaparte’s in the years between 1769-1821 (Fullerton, 2009). The brutally graphic images of the war produced by the artist were a demonstration of the modern events which have come to influence contemporary artists to follow the same design.

Figure 1: Goya’s Plate 3: Lo Mismo (The same) in Disasters of Wa. Obtained from https://www.napoleon.org/en/magazine/whats-on/francisco-goya-disasters-war/

The penetrating characterizations of Goya’s artworks displayed realism which had been unprecedented in the existing artworks. Notably, according to Muller (2016, p. 99), when Goya became deaf, his concentration turned into fantasies of his imagination. His view of the society was changed from the good customs to thoughts about the negative aspects in the society. The medication and introspection that Goya started to engage in led to the development of new ideas and the evolvement of a bold albeit freestyle mode of artistic creativity. For instance, in 1799, Goya created and published what was known as the Caprichos (see Figure 2 below for an example of this painting) which was a series of various etchings depicting the satire of human folly as well as a weakness (Harris, 1964, p.39). The portraits that he pained now became the revelation of the different subjects based on how he viewed them. For instance, his religious portraits at the time were not only broad but free in style and depicted a realism which had not been seen before. The paintings were the beginning of the modern art where people did their artwork in a freestyle representing the issues which happened in the society without painting arts only for aesthetic purposes.

Figure 2: Capricho No. 1: Francisco Goya y Lucientes, Pintor. Obtained from http://loscaprichos.org/1-Francisco-Goya-y-Lucientes-painter.html

In the fourteen paintings of Madrid’s Museo del Prado (Black Paintings), Goya produced artworks which had never seen before as they were not only amazing in style but also foretold the manner in which art was to be some more than 100 years later. Goya was an artist who could change his views based on what the society was experiencing. He was not stubborn in his paintings about the contemporary events in the society (Popczyk, 2012, p.339). For instance, he was inspired and influenced by the existing progressive ideas of the French Revolution as well as the aftermath of the same and was willing to make his country (Spain) lean from the Revolution. However, after the immense suffering, starvation, and the bloodshed which was experienced under the rule of Bonapartist, Goya revised his views about the society and concluded that; based on the disasters of the war, humanity was doomed (Muller, 2016, p.134). He was not only talented but also versatile and continued to experience and master new media techniques until the time when he was quite old. Goya’s extent of his disillusionment with society makes him be revered as the father of modern art and the first modernist in the world of art.

In conclusion, Goya’s artworks including the paintings, engravings, and drawings were the first ones to demonstrate contemporary/modern historical upheavals and have influenced a majority of painters even in contemporary society. Goya’s works were influenced by Jose Martin Luzan as well as other artists who had progressive ideas. His artworks expressed his feelings and thoughts about the manner in which the society was and the direction that it was taking. He changed his mind about society from the promising to a doomed future. His disillusionment even increased after he became deaf and was engaged in meditation. Some of his paintings such as the Disasters of War were meant to display the human cost of war and provide lessons to Spain about the importance of avoiding war. Goya was both talented and versatile based on the fact that his paintings and ideas were influenced even by some of the French revolutionaries.

 

References

Fullerton, A. K. (2009). Historical representation in the works of Francisco de Goya: Interpretations of The Black Paintings. University of Wyoming.

Harris, E. (1964). A Contemporary Review of Goya's' Caprichos'. The Burlington Magazine106(730), 38-43.

Muller, P. (2016). Francisco de Goya:(Grove Art Essentials). Oxford University Press.

Popczyk, M. (2012). Fear and Anxiety in the Dimensions of Art. ARGUMENT: Biannual Philosophical Journal2(2), 333-346.

Shaw, P. (2003). Abjection sustained: Goya, the Chapman brothers and the disasters of war. Art History26(4), 479-504.

 

 

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